
European Oak
Warm honey, open grainOur most-used wood: hard enough for daily objects, warm enough for a dim room.

Solid boards, CNC milling to 0.1 mm, hand sanding and hardwax oil — plus plant-derived fragrance materials for our reed diffusers.
We buy boards rather than panels, so grain and tone stay natural — and every piece can be sanded and re-oiled for years.

Our most-used wood: hard enough for daily objects, warm enough for a dim room.

Mills cleanly and turns without splintering, used for cups and aroma sculptures.

Reserved for coasters, lids and hotel pieces where a darker contrast is wanted.
Five stages, each one done in the same workshop by the same small team.

Each board is read for grain, colour and knots before it is cut into blanks.

Wood is dried slowly and rested in the workshop so it settles before milling.

Shapes, grooves and engravings are cut on a CNC router to a tolerance of 0.1 mm.

Three grits by hand, ending at a surface that feels smooth from every angle.

Hardwax oil is rubbed in, wiped back and inspected under daylight before packing.

Alcohol-free plant-derived oils in glass bottles with turned wood caps, plant wax candles, natural incense and carved wood aroma carriers — listed plainly, with no hidden fillers.
Glass bottles with turned solid wood caps and black rattan reeds; the plant-derived oil is alcohol-free for a slow, even release.
Soy and rapeseed wax with wood or cotton wicks, poured into glass jars closed by solid wood lids.
Natural fragrance powders rolled on bamboo-free cores, paired with a solid wood holder and brass ash ring.
Carved solid wood sculptures holding replaceable plant-wax inserts — scent with no flame and no alcohol.